Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | julaftonen | blommor-sommarblommor | goteborgs grundlaggning pa oversta trapplanet | skolgang | kaj bonnier, 4 ar |
Related Artists:
Marsden Hartley
1877-1943 Marsden Hartley (January 4, 1877 - September 2, 1943) was an American Modernist painter and poet in the early 20th century. Hartley was born in Lewiston, Maine, USA. He began his art training at the Cleveland Institute of Art after moving to Cleveland, Ohio in 1892. At the age of 22, he moved to New York City, where he attended the National Academy of Design and studied painting at the Art Students League of New York under William Merritt Chase. A great admirer of Albert Pinkham Ryder, Hartley would visit Ryder's studio in Greenwich Village as often as possible. While in New York, he came to the attention of Alfred Stieglitz and became associated with Stieglitz' 291 Gallery Group. Hartley had his first major exhibition at the 291 Gallery in 1909 and another in 1912. He was in the cultural vanguard, in the same milieu as Gertrude Stein, Hart Crane, Charles Demuth, Georgia O'Keeffe, Fernand Leger, Ezra Pound, among many others. Hartley, who was gay, painted Portrait of a German Officer (1914), which was an ode to Karl von Freyburg, a Prussian lieutenant of whom he became enamored before von Freyburg's death in World War I.
Francesco Botticini
Florence 1446-1497
Carl Fredrik Hill
Swedish Painter, 1849-1911,Swedish painter and draughtsman. He grew up in the university city of Lund, where his father was a mathematics professor. Despite severe opposition from his father, he studied landscape painting at the Konstakademi in Stockholm (1871-2), under Johan Edvard Bergh and Per Daniel Holm (1835-1903). He also frequently copied Dutch Old Masters, particularly Jacob van Ruisdael. After seeing the work that Alfred Wahlberg had sent home from Paris, Hill began to abandon his initial approach to form and colour, and he left for Paris in November 1873. His most important experience there was his encounter with the painting of Jean-Baptiste-Camille Corot: 'Corot has discovered a new world, because he has discovered a new way of looking at the old', he wrote in a letter. Other contemporary French painters Hill admired were Alexandre-Gabriel Decamps, Charles-Fran?ois Daubigny, Jean-Franeois Millet and Theodore Rousseau. From Courbet he learnt how to use colour to suggest the surface texture of stone quarries and gravel hills. In Barbizon in 1874 and 1875 Hill met the Hungarian painters Laszlo Pael and Mihaly von Muncacsy. His paintings of this time, for example Autumn Landscape, Evening: Fontainebleau (1875; Malm?, Kstmus.), are characterized by their dark 'luminarism' and their debt to Corot's later works.